Cast: Imran Khan, Katrina Kaif, Ali Zafar, Kanwaljeet Singh, Parikshat Sahni
Directed by: Ali Abbas Zafar
Rating:**
YRF also has something to tell the cultural bankruptcy of the wafer-thin plot formula that made it a powerhouse in the last century has increased the 2011th "Mere Brother Ki Dulhan limits self-parody in many ways: NRI brother (Ali Zafar) in London, breaks up with her boyfriend, calls her brother (Imran Khan), insisted that there must be married to a good Indian girl in July brother goes to the bride-hunt only to realize that future girlfriend (Katrina Kaif),
a subsidiary of the Indian Foreign Service officer (which I think is a legitimate Katrina is a strange Hindi accent Kaif, Kalki era of exotic heroines), is someone he had met with wild gal who held an impromptu concert in the band of delirious fans more Agra.
All other details, which gives the great Indian wedding has been thrown at you: Kanwaljeet and Parikshit Sahni and their spouses to play in-laws-to-be, the North Indian bumchums hang from the protagonist's childhood in a wheelchair naaniji slips by every now and then.
The bride to be is even more demented brother (along the lines of Dustin Hoffman in "Rainman" / Tom Hanks in "Forrest Gump"), which has a year-round and play Rubik's cube in sentences, staccato worn.
Through the wedding time, to Imran Khan and Katrina Kaif realize they are in love with each other, despite the incest connotations. Soon a slow guy, country bumpkin friends and lovers of the man's ex, conspire to break this upcoming wedding. It takes more than two hours, that's the plan come to fruition if you are pretty much as Katrina is crazy guy in this movie.
Everyone has the whole movie is resolutely hi-energy, Ranveer Singh, the success of 'Band Baaja Baraat "to play any role in this" Let us all act like we have shot down ten Red Bulls' acting school. Imran Khan, Katrina Kaif and both exude an incredible screen presence and undeniable charisma, unless they are forced gags that can best be described as un-fun. Has to its credit, the film somewhat bearable, even cliches like the plague it from beginning to end. Ali Zafar's too polite to be added to an appropriate idyllic twang with smugness.
Aside from the cloying stupidity of the company, two important factors make the film a no-brainer: why imagine that a reasonably well-educated young people would jump at the risk of destroying your marriage, it just life? Although all technology that represents the "younger generation" are carefully highlighted (Ali Zafar boyfriend is the opening sequence of the film shattered LCD TV, Ali, and their marriage Kaif interview over Skype),
the movie does not capture the pulse of independence to the younger generation. Secondly, do you not feel empathy towards the characters are so insouciantly trying to destroy his life and that of their close them.While "Mere Brother Ki Dulhan" incest is bad NOK for the future in India, predicts the future of Indian cinema is much worse.
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